Archive for the ‘cartoons’ Category


I decided to do something a little different this week, and it will be difficult to post for a few days, so I thought I would share a few memes from a new character I am working on. I call him “smART alec.” Enjoy, and if you like them, share them!

I sometimes enjoy using cartooning to explore complex subjects. Such is the case in my most recent series at over at Creachertoons.

One day I had a great idea. It was a gag for a cartoon and it was funny. “If vegetarians eat only vegetables, should we be afraid of humanitarians.” I drew a head hunter standing in front of a huge boiling pot, ala the Tarzan movies and posted it, waiting for people to start complimenting my comedic genius. That’s not what happened. Instead I got a very kind note from an artist friend. Now my friend is African American, and he started off so kindly and patiently and said something to the effect of, “Today, a lot of people see images like the one you just posted as racist. I know your heart, and I know that’s not want you meant, but I thought you should know.” Now I’ll confess part of me wanted to get mad. I really liked the cartoon. It was funny andThe drawing came together really well, but my friend spoke the truth in love to me, and I respected him enough to take the comic down. That’s the other part of the reason I draw creatures.

You see my creatures are unique and different and they don’t look like anyone, and because they don’t look like anyone, they can represent everyone and that’s huge. The truth is, I don’t do these things, especially my cartoons for my health. I do them to communicate, and I want to cast a wide net. I want people to mull over the messages and maybe, just maybe apply them or at least consider what I’m saying. The messages do sometimes have an edge to them and I don’t shy away from controversy, but I want to be heard. The creatures are less offensive and so they don’t create a barrier. It’s another reason I use the creatures. Offense builds walls where I want windows.

I share this message for two reasons. First of all I wanted to use my friend as an example. He cared enough to share what could have been a very hard truth. We artists tend to take our work pretty personally. Add to that the fact that he saw a meaning I never thought of, intended, or even considered and it could have been touchy. He was looking out for me and he validated me while showing me an unintended, potentially hurtful consequence and I received it, largely because of the heart with which he shared it.

Lastly, I am fully aware that we live in a world that, at times, seems way too touchy. Those of us who sometimes deal in humor, have to be especially aware of this. At the end of the day though, if we are going to be communicators, we have to be willing to look for barriers to the message in our work and tear down as many walls as we can. This is not to say we shy away from truth, but rather that we speak the truth in love. In my case, the image was well done, and the gag was funny, but a funny gag and a well drawn picture is not worth as much as my credibility, when I’m saying something that’s important. Now to be clear, you will never avoid offending everyone. I’m sure even my creatures offend some, but to maximize our effectiveness, we should work hard to minimize offense. My rule of thumb is the gospel will offend, but it’s message is still the truth that sets us free. It’s the hill I’d die on, everything else is negotiable.

That’s why I draw creatures. Why do you do what you do? Investigating that and knowing the answer is important.

Teenage Mutant Ninja Turtles BackdropsFor the longest time, I treated my art and my faith separately, Christian was who I was and art was what I did. When I discovered that Jesus needed to be lord over my entire life, I thought the creature thing was done. After all how could God use someone who creates creatures in His Kingdom? (Yes, I am aware of how obvious that is now. I wasn’t then.) I ended up freelancing for a licensee of the Ninja Turtles, and while the work was a blast, it was taking me down a pretty bad road. My client had me convinced he was going to bring me the kind of fame and fortune turtle creators Eastman and Laird were experiencing and I was hooked. I really fell hard into idolatry to my career and I was ruining my life. Fortunately God intervened and I laid art down for a season. During this time I got my call to ministry, and I figured being a professional artist was behind me. Well that lasted about six months. You see when I laid art down, I told God I would never pick it up again unless I was using it for him. I figured that meant a church project here and there and nothing more. God had other plans and eventually God showed me how I could use art in ministry and that’s when this ministry and my speaking ministry was born. 

But what about the creatures, after all there’s no room for creatures in the Kingdom. Well one day I was preparing to preach at my friend’s church. One of the verses that has resonated with me since the start of my faith journey was 2 Corinthians 5:17, “Therefore if anyone is in Christ, He is a new creation, the old has gone and the new has come.” The event I was preaching at was a youth event, and so I decided to preach on being a new creation in Christ and the transformative power of God. Now I knew my friend was a King James guy, and he asked that all preachers at his church preach from the KJV, but I knew the Old English language of the text would make it hard for me to construct the message, so I decided to cheat, just a little. I would write my message from the NIV (my translation of choice at the time) and then, after I was done, I would just cut and paste the King James text into my message. How different could it be?

Well it was different. Where the NIV said “new creation” the KJV said “new creature.” How could I use that? How would people, especially kids respond to being called “creatures?” But then other thoughts came into play, “New Creature, hey wait, I draw creatures, or at least I used to. I wonder could I somehow use creatures to communicate the Gospel?” That was the beginning of my web comic and countless works of art where I do just that.

The moral of this story is simple. God can use virtually anything that we will submit to Him. Your tests become your testimony. Your life story, yes, the good, the bad and even the ugly can show His goodness to a world that desperately needs it, and your gifts and talents, even the unusual ones, can be used to His glory. Look at all you have, and ask God how He would use it. Then step out in faith. Remember 1 Peter 4:10, each one should use whatever gifts he has received to serve others. Any gift submitted to God can be used to glorify Him.

What have you given to God and what are you holding back? Remember when God says whatever gifts, He means it.

One of the things I think we creatives need to examine at times is our own motivations. What makes us do what we do? Well if you look back over my career as a creative, you’ll notice there is one subject matter to which I constantly return, and that s creatures. I love to make creatures. I’ve painted them, drawn them, sculpted them, I’ve put them on clothing, I even made a web comic that features them, but why do I do them? Well let’s examine that?

First, they are probably the first thing I started creating. There’s always just been something very exciting about creating something that only exists in your imagination. Combining elements of various elements. I remember this coloring book that I believe my Aunt Treva bought me when I was a kid. It was the only one I’ve seen like it. Instead of the traditional pictures on every page, this book had a piece of tracing paper between each page. You would trace half of one picture. then flip it over to the other page and trace the other half of the other page. All of the sudden you had a brand new picture of a half elephant half fish creature to color. It was awesome and before long, I left the book and just started doing it myself.

In my teen years, I did a lot of dragons and monsters. It wasn’t surprising, I was starting to get into rock and roll and a lot of the bands did that kind of dragon imagery. I loved the art of people like Roger Dean (Yes) and Kelly Mouse, not to mention the car guys like Ed Roth. My mom got a little concerned about me and my subject matter, but it had nothing to do with the devil or anything like that. Dragons and monsters were limitless. They didn’t really exist so they could be whatever I wanted them to be. There was a tremendous amount of creative freedom in things that did not exist, plus my childhood and teen years were kind of difficult and creating mythical things was kind of a refuge for me in my pre-faith days.

Later, I thought I wanted to be a comic artist. One thing that was always frustrating for me was the way people would read meaning into my art, especially when that wasn’t at all what I meant. The idea of combining words and pictures was really appealing to me, plus I’ve always loved to make art and tell stories and comics seemed to be an ideal vehicle for that. Plus this was in the first era of the Ninja Turtles, a trend that really fit into what I did. I never did get published in that realm, which I now know was divine intervention, but it did lead to some really fun freelance work and that opened the door to other things.

I guess the point is there are a lot of reasons I do what I do and examining them helps me to trace a lot of things. One thing that is prevalent in it all is the finger prints of God all over my career—the way He brought me through things and guided me on my current path. My art career has at times been a broken road, but it led me to this place, a good place, and I can’t wait to see where the road leads next.

How about you? Why do you do what you do?

Did this just for fun. Go Eagles!